Mystical time and mystical place as an artistic device in Marquez's novel "One Hundred yea/rs of solitude" / Література зарубіжних країн (V. I. Vernadsky Taurida National University, Ukrain), April, 2026

dc.contributor.author	Talibova, Aysel
dc.date.accessioned	2026-06-02T05:22:48Z
dc.date.available	2026-06-02T05:22:48Z
dc.date.issued	2026
dc.identifier.uri	http://hdl.handle.net/20.500.14346/3082
dc.description	This article analyzes the work of Gabriel García Márquez, one of the founders of the magical realism movement. It is established that magical realism is a literary movement that arose from the combination of folkloric and national thinking and historical and political realities. Images and details arising from religious and mystical beliefs are used as a tool to depict certain historical truths. It is studied that Márquez’s work “One Hundred Years of Solitude” is entirely based on this motif. The article examines folklore motifs in the context of images of mystical time and mystical place, and also analyzes the ways in which they are used as artistic devices in the ideological structure of the work.	en_US
dc.language.iso	en	en_US
dc.subject	Mystical time	en_US
dc.subject	Repetitive time	en_US
dc.subject	Mystical place	en_US
dc.title	Mystical time and mystical place as an artistic device in Marquez's novel "One Hundred yea/rs of solitude" / Література зарубіжних країн (V. I. Vernadsky Taurida National University, Ukrain), April, 2026	en_US
dc.type	Məqalə	en_US